Alice twemlow [about]
writing / design design / writing
How I Engage With Design as a Writer
srudied english literature, became more interestd with how the word is represented (easter wings) emblem poemsup emoj Visual and verbal reinforce,emt herb lubalin mastheads alice in wonderland "and a long tale" the life and opinions of tristram shandy makes fun of literaru genre of the 18th century, meant to teach people but the narrator goes on huge tangents squiggle to represent the joys of bachelorhood chapters are missng, dusrupting the sequence black page when one character dies blank page offered to the reader to describe one of the characters literal plot lines calls attention to the form of the book, artificiallity o fthe book, sing graphic deviced to represent abstract concepts when one character draws the iine in the sand we know we've reached the limit of language
places where langugage becomes insufficient a primer for the punctuation of heart disease (2002) jonathan safran foer introduces new punctuation to express awkward silenc e that happens in family discussion, ohone calls silence mark signifies the absence of languagewilled silence mark insistent question mark
brak up emojies les mesierables as emojies may BEE we should b e(friends)
1982 sequence of characters to show jokes in emails the original emojie set has been added to the moma collection
design writing research ellen lupton
illustrations tend to be subordinate to the text, here they are equals essay about isotype, feminist critique of how its always mae icons new bathroom signs
MA design history at the V&A / RCA
Th cultural biography o things "in doinf the biography of the ting ..." youd do similar thing
inuit community > metropolitan museum of art interesting career, politics, whs is an indela careaar depends on who you are
german irn work craftsmanship, rise of the department store, society of the time
black power, race relations
we shall overcomb
what happens to a comb when its in prison, it gets a rezor blade attached to it
design wiriting starts ar the object, but very wuicly goes into the rsy of stuff
d crit SVA taught students about design criticism importance of research into someting beroe going into a ciritique critiv that is close to thigs, engages with people MA design researchs
using twitter as a tool for deisng critique beards arent welcome at deuscthe baml
looked at the way design was displaye in museum "butterflies in cases"
Maters programme in eindhoven design reseatching and writing
looking at how design manifests as code, networks "design is invisible" ny lucius burkhardt "desifn has an invisible component namely an organizational dimension"
works that work dirty furniture, when design leaves the showroom
most desing rpess eg dezeen focusses on the object, eneius designer recycle the press relsease by the manufacturer fosusses on the new, borth of the object, basically glorified unboxing video
dosnt looka at how product will be used, change as its used, what hapens to it when its no longer useful
brian thill "waste" (2015)
trash on the moon
sifting the trash (alice themlow) a history of design criticism
acknowledging designs complicity in climate change
timothy morton hyperobjects think of objects not as a singular thing, but a combination o processes, distribution eg styrofoam
how can design engage with writing
in loving memory of work craig oldwin thing on the miners strike graphic interventions based on graphic stff that was made during the miners strike stuff from archives etc
the medium is the massage
ian lynam metahaven, design practice reframed as design think tank